Another engrossing and fascinating Mowat title, another Mowat "must read", "Woman in the Mists" is the sympathetic biography of a woman whose work gave us a window into the world of the mountain gorilla, a species to whose protection and conservation she was devoted. By alternating excerpts from her diary entries and personal letters with his own descriptive text, Mowat brings Dian Fossey, a powerfully willed and often abrasive woman, to life. Her youthful years, young adulthood, her fateful meeting with Louis Leakey, her romantic involvements and disappointments, her first contacts with the gorillas and the years of her work and struggle are portrayed with humanity and affection. The tale is enormously enriched by her own words. She struggled indomitably against self-serving African bureaucrats, indigenous herdsmen and hunter-gatherers, antagonistic forces that gained strength against her in the fields of primatology and philanthropy, and her own gradually deteriorating health largely the result of a powerful smoking addiction.

But her work and her happiness were plagued by male academics and agents of philanthropic organizations who got caught up in a web of calumny and distrust motivated by primatologists who were seriously bent out of shape by her abrasiveness and who felt they could avenge themselves by vilifying her, possibly abetted by society's undercurrent of misogyny. Had there been no vilification, she may never have been killed, as her fatal enemy, probably an African, no doubt took strength from knowing how much she was hated by, for example, the American and European agents of the Mountain Gorilla Project. Mowat provides the reader a chilling view of Fossey's victimization, but never identifies the sexist element which seems apparent to this male reviewer.

Fossey survived all the victimization because of her extraordinary strength and a powerfully motivating love for the gorillas and the entire eden-like natural world in which she lived. She had serious blind spots: her obliviousness to her abrasiveness, her hatred for the National Park's Tutsi herders and pygmy hunter-gatherers, even before the latter began killing her beloved gorillas (whole gorilla family groups, in order to capture a single infant for the zoo trade and skulls for the tourist souvenir trade), and her (and Mowat's) use of the racist epithet "wog" with impunity toward Africans who she hated, though she shared genuine bonds of love with the Africans who worked with her as trackers and poaching patrollers, and evidenced no other racist feeling. Mowat's record of Fossey's life is a powerful, shocking, revealing and loving account.

Farley Mowat performed an excellent service when he wrote this book. Dian Fossey was a woman of great character, confidence, courage, determination, and conviction. Her life was lived for what she found to be a greater cause and the world is that much worse off without her. This book did an excellent job of showing the reader who Dian Fossey really was and what she really went through. I recommend it to anyone. It is well worth reading.

Read this book, and you will feel like you know the real Dian Fossey. Personal letters, journal entries all give insight to her life as a living, breathing human being who had many friends (human and non-human). Her passion for life is inspirational! This is a must read, and also an excellent book to read for school projects!

This book was read to him on an episode of reading rainbow. He sang ABIYOYo all day and weeks after that. He loves this story. It's great for your little ones because it's folklore stories... and it keeps mom interested too.

This book contains many elements that would make for an enjoyable child reading experience. These elements include wonderful illustrations, a terrible evil character, and characters of many ethnicities. The element that stands out the most from this story is the incorporation of music and sounds. A song fills at least six pages of the text and is a central factor in the story. Also, the use of onomatopoeia pervades the story with words like "zoop," "ztt," and "clunk." These are great at engaging the senses and the participation of young children. I also like the idea of showing unlikely heroes prevailing over evil in the end.

I am a teacher in a daycare and my kids love this book we use it to teach personal hygiene and relationships with parents. The copy I had was James Earl Jones narrating. A must have!

Across African Sand is a an excellent example of what true adventure books should be. I emphasize the word "true" not simply to point out that events in the book are factual but to distinguish this work from books describing stunts. (To me a stunt is a once-in-a-lifetime event, filled with harum-scarum that a more skilled traveler would have avoided and usually detailing a significant departure from the main stream of the writer's life.) By contrast, Across African Sand comes across as the logical continuation of Phil Deutschle's career as a teacher and introspective traveler. Prior to embarking on his solo bicycle ride across the Kalahari and Namib deserts, Deutschle has spent three years living and teaching in an out-of-the way village in Botswana. An accomplished linguist, he has become fluent-to-conversant with several local languages, including that of the !Kung (Bushman) people, and thus we learn more of African life and thought than we would at the mercy of a more casual traveler. Deutschle clearly enjoys the company of the various people he falls in with along the way but also relishes the solitude which is such a significant part of his journey. Part of the success of the book is its skillful interweaving of events in the course of his cycling trek with flashbacks to his life as a teacher in a traditional Botswana village. Dimi Press has done a creditable job of putting the book together and its illustrations are great. I wholeheartedly recommend this as an interesting and insightful story of travel and adventure.

Across African Sand: Journey Of A Witch Doctor's Son-In-Law is the true life adventure story of Phil Deutschle's bicycle trip across 3,000 miles of African landscape. Along the way Phil was stalked by lions, charged by a herd of enraged elephants, fell in love with (and married) the daughter of a prominent witch doctor. Across African Sand is a compelling, engaging, fascinating biographical travelogue that relates an account of Phil's five years in Botswana (southern Africa) told in the form of flashbacks while he bicycles over the harsh Kalahari and Namib deserts, negotiating difficult African terrain, including soft sand and mud, during the course of his three month cycling adventure. Across African Sand is highly recommended for bicycling enthusiasts, armchair adventurers, and anyone who has ever yearned to travel the world, meet new people, and have adventures of their own!

This portrait will also fit neatly in travel sections: itportrays a bicyclist's journey across two deserts as he bikes throughsand, dodging lions and elephants and visiting remote parts of outback Africa. The adventure and observations of life in Botswana make for an excellent and exciting read.

Featuring a foreword by Jane Goodall of chimpanzee research fame, Africa: Photography is tremendous, spectacular display of truly lush, wondrous color photographs of natural wildlands and wildlife taken by Art Wolfe . A few pictures of African tribes people are also to be found amidst captures of lions, elephants, monkeys, pelicans, and so much more. Natural splendor abounds in this captivating gallery, and the highly informative text commentary adds depth and understanding to the many eye-catching images. With a foreword by Jane Goodall and an informative text by Michelle Gilders, Africa is enthusiastically recommended for armchair travelers, nature lovers, and anyone with an interest in the majestic splendor and majesty of the African wildlands.

You won't be disappointed. Wolfe is a master, and these images are amazing. Great book, decent price.

This is positively one of the most amazing books I own. The photographs, color and clarity are remarkable -- Art Wolfe truly captures the spirit of Africa. As you flip through the pages, each image more stunning than the next, you begin to feel like you are IN Africa. A must for any safari adventurer, animal lover or anyone curious about the continent.

Angela Fisher spent seven years criss-crossing Africa, seeking out traditional forms and styles of jewelry and body adornment. The metal crafting, artistic modes and affectations of traditional piercings are stunning. The more extreme examples of African body art are already missing: cutting and/or scarring, limb binding (neck/arms/legs) and lip stretching are lost arts these days.

The photography is top notch, with highly detailed closeups and oversize, full-color images on most pages. Notes are included for each image, with geography, tribal information and craftsman's details for many pieces.

This is a great example of the "coffee table" book. I checked this title out of the library while in graduate school repeatedly until my mother gifted me with my own copy (thanks, Mom!). For artists and jewelers, this volume will be an endless source of inspiration.

This is a thoughtful and gorgeous peek at the diversity of the continent. The colors of the photos alone are worth the price! Fisher's more recent work, "African Ceremonies", with Beckwith, is even better, if possible. And folks, Africa contains 54 countries, over 800 different languages and thousands of dialects, and has around 730 million people. If you consider yourself an interested citizen of our world, don't just look at the pictures, learn about the continent! Many people have criticised the authors, for this and their other works, because they present an Africa that doesn't exist anymore, or they are patronizing and exploitative- I agree in part with this criticism, but I would add some balancing words. This continent has some of the richest cities in the world- Johannesburg being one, and some of the poorest villages- I was visiting in one of them several weeks ago in eastern Namibia. People have cellphones, people have no phones, some drive Lexuses and some drive donkey carts made from the beds of old pick-up trucks. "Old" ceremonies are vibrantly alive for some people, and simply unimportant for others, sometimes within the same family or community. The point is that the images from this book *are* parts of life on this continent, but obviously do not tell the whole story. However, it is just as wrong and short-sighted to dismiss cultures as it is to see only the "exotic". The funny thing is that I first saw this book and "African Ceremonies" at a Himba village in Kaokoland, Namibia, shown to me by a man who was wearing "traditional" Himba clothes, with red ochre on his skin and so on. We were paging through this book and my friend, who is also Himba but wears "western" clothes, commented on how weird the images were, to which his friend laughed and agreed. To them, the pictures of most of these ceremonies were just as alien as they are to most westerners. So, to everyone who likes to box "Africa" and "Africans" into one category, this is perhaps something to think about.

...origin as it relates to African cultural and creative expression and influence. Many designs and patterns we see repeated in contemporary jewelry design can be traced to African styles and designs created centuries ago - a fact beautifully exemplified in this book - with the added bonus of learning something about the meaning behind the particular adornment/piece of jewelry. The photos are brilliant! This book is a treasure and a highly recommended "must read" for everyone interested in design, jewelry and fashion history, and cultural customs, influences and contributions.

THIS BOOK IS AMAZING IT PROVIDES INFORMATION THAT IS BOTH TRUE AND OF EXTREME VALUE. THE AFRICAN PRESENCE IN EARLY ASIA COVERS MIGRATION FROM AFRICA TO ASIA DATING BACK FROM OVER 100,000 YEARS AGO. IT ALSO COVERS THE REVOLT OF THE ZANJ, WERE EAST AFRICAN SLAVES REVOLTED IN IRAQ AND IRAN. CAUSING NUMEROUS DEFEATS UPON THEIR OPPRESSORS AND SERIOUS ECONOMIC DAMAGE TO THE EMPIRE OF THEIR OPPESSORS. IT ALSO COVERS NUMEROUS AMOUNTS OF AFRICAN PERSONALITIES AND PEOPLE IN ASIA. SUCH AS UTHMAN IBN BAHR AL-JAHIZ, MALIK AMBAR, LOKMAN, BILAL, ANTARA: THE LION AND MANY OTHERS. THE AFRICAN DIASPORA IN ASIA WAS MAINLY BY MIGRATION, BUT SLAVERY WAS ALSO AN EXAMPLE OF THESE MASSIVE AFRICAN POPULATIONS THROUGHOUT SOUTHERN ARABIA, YEMEN, SOUTHERN IRAQ, KUWATI, SOUTHERN IRAN, AND SOME PARTS OF INDIA. HISTORICAL MIGRATIONS INCLUDED SAUDI ARABIA AND YEMEN ALSO. AS WELL AS INDIA HAS AN EXTREMLY LARGE AFRICOID POPULATION KNOWN AS THE "THE BLACK UNTOUCHABLES OF INDIA" WHO ARE THE INDIGENOUS INHABITERS OF INDIA AND THE CREATORS OF THE INDUS RIVER VALLEY CIVILIZATION. THERE ARE ALSO AFRICAN POPULATIONS IN MALAYSIA, SOUTHERN CHINA, ANDAMEN ISLANDS, SRI LANKA AND THE SOUTH PACIFIC ISLANDS. THIS BOOK IS OF GREAT SIGNIFIGANCE ON THE UNEXPLORED HISTORY OF AFRICAN PEOPLE IN ASIA. OTHER BOOKS RECOMENDED IS AFRICANS AT THE CROSSROAD: NOTES ON AN AFRICAN WORLD REVOLUTION, INTRODUCTION TO AFRICAN CIVILIZATIONS, THE DESTRUCTION OF A BLACK CIVILIZATION, AND THE AFRICAN ORIGIN OF CIVILIZATION

This book has made it clear that the inhabitant of this earth is GOD in all forms. There is nothing else to be said on this subject. This book and others like it, has opened the door for many to become what they truly are...GOD.

This is best book for true information of early "African Presence" Lots of reserches and essays are included.

I bought this for our father and wife to help them on their safari to Tanzania. They loved it! I recommend it highly!

My wife and I went on our first safari to Northern Tanzania National Parks with a very experienced leader (over 100 safaries). He recommended this book and that we keep a journal--something I have not done in 35 years. HE WAS RIGHT! We carried this book with us on every game drive and refered to it often. At camp we entered journal entries. These proved very valuable after our return to organize and present video and photos. This book has almost everything you want to look up. In addition the packing checklists were 100% right on for our experience.

If you take only one book on safari, I strongly recommend this one. If yhou can take more, I recommend Estes's Safari Companion and a good field guide with color pictures like the Audubon.

I just got back from Africa where I climbed Kilamanjaro and went on a safari. This book is an awesome way to organize ahead of time. On my trip I used the journal to organize my thoughts on the trip and to keep track of my film and what I had on each roll. If you are going on a safari in Africa this is a must. Take my word for it. I took 24 rolls of film on my trip and was able to keep track of all my info with this book. Enough said.

Warning: This travel guide is not designed for the "accidental tourist," the person who travels to foreign lands hoping only to recreate a faraway, expensive version of his homeland. This book is for anyone who wants to travel not only for pleasure, but also for knowledge. With humor and incredible insight, Phil Karber writes of his adventures in the lands he has visited, lands that most of us will only see on National Geo specials. Karber immerses himself in each culture, learning as much as he can about the history, philosophy, people, and customs of each country that he visits. After reading this book, the reader will feel as if he, too, has visited each place Karber describes. This book is a must-have for anyone who plans to travel to these exotic locales, but it is also a delightful way for those of us who lack the courage, time, or funds to travel to experience places that may no longer exist in a few year's time.

Phil Karber is my Dad's first cousin. Trust me, the sarcastic humor runs in the family. I have not read my cousin's book yet, but I have no doubt that it is wonderful. Phil is a great guy to be around, and he could write a dozen books about his life. I would love to read about his childhood also.

I've just finished Yak Pizza--and how much I was transported from Fort Smith, AR to places I've only dreamed or heard of. Each day I looked forward to that time after dinner when I could grab Yak Pizza, get off by myself, and take trip after trip.

Phil Karber did a remarkable job here, finding the right distance from his subject matter--at times letting places and experiences speak for themselves and at just the right times giving such keen insights from observation and analysis.

There were such poignant moments and then humor and then righteous indignation and then such a knowledge of the background history of environment, economics, political/social structure. . .and gadzooks what a vocabulary.

I wrote a haiku over my impressions the night I finished the book and had such bittersweet emotions on finishing it--here tis Brushed bamboo, twisted thickets of morass. Leeches hold time in their craw.

It was tempting to preface this review with "The horror, the horror...." but that would be too obvious.

Christian Jenning's "Across the Red River" presents the reader with a harrowing catalogue of horror, atrocity and inhumanity. Jennings is the quintessential observer and the relentless bodycount and descriptions of cruelty are presented in a matter-of-fact, unemotional manner that never loses its impact. He achieves this through an honest reportage, describing events with an almost photographic sensibility. Although the events he describes are gruesome, there is an objectivity and lack of gratuity that lends credibility and above all, gravity to his story.

His reportage is accompanied by an analysis of the political, social and sometimes personal circumstances surrounding wars, genocides and murders. This analysis is often bewildered as we learn through Jennings the labyrinthine complexities of Central African Real Politik.

All this is tempered with a careful humour. While Jennings can often find an amusing anecdote to relieve the grimness of the carnage, the humour is always directed back at himself. He never makes light of the horror inflicted on the innocent (and perhaps not so innocent).

He pulls no punches when it comes to the involvement of Europeans (particularly France and Belgium), Americans and in particular, the UN. Though loath to criticize individuals (save a few), he points out with righteous anger the systemic failings in UN policy and execution which have, through inefficiency and a sometimes callous disregard for the charges in their care, resulted in over a million deaths and the displacement of many more. He does not, however, tar everyone with the same brush. Some organizations (for example Medicine Sans Frontiers) he recognizes as having played a significant, if not heroic part, in attempting to limit the suffering.

He also recognizes that this is not an African problem, but a problem faced by the whole world as he watches the crises in Kosovo and Chechnya.

This book provides a valuable insight into the chaos of the late 20th century, long after it has slipped from the front pages and out of the CNN consciousness.

As a grad student of international relations I have read much about the nation state and human rights. However, Jennings puts the charnel house into very basic terms. Something that most academic texts papers over. I am glad to see that such an account is out there.

This book was an incredible read. It follows the author, journalist Chris Jennings, through his times in Rwanda, Burundi and the Congo during what must have been the darkest days these countries would ever have seen. As well as giving the reader the facts on what went on throughout the nineties, Jennings also goes into the history of the conflicts, clearly demonstrating that European colonialism has a lot to answer for. The book will at times make you cry and at times make you laugh. Jennings obviously found that the best way, if not the only way, to live through what he saw was to keep his sense of humour alive. There are harrowing accounts of unthinkable attrocities, but don't let that put you off. Reading this book will put your problems in perspective and hopefully disturb and shake up your 1st world pettiness.

An impressive range of scholarship. The author's knowledge of the works of leading Western thinkers - from Kant and Fichte to Heidegger and Montesquieu and others - and of African philosophical traditions, is indisputable.

A lucid thinker of penetrating intelligence, Godfrey Mwakikagile is one of those Africans writing scholarly works to reclaim the dignity of the African personality that has been subjected to so much abuse since the imperial powers conquered Africa. Yet he is honest enough to admit Africa's mistakes, and shortcomings, including many in the glorious past of ancestral ways so much glorified by Afrocentric scholars.

This is a vital text in the study of African philosophy and identity, an area of abstract ideas in which the African mind is grossly underrated.

And the chapter on South Africa is a brilliant analysis of where this multiracial nation may be headed after the end of apartheid. The legacy of apartheid may be with us for generations to come; a bleak prospect for a country that is a beacon of hope on a troubled continent.

Mr. Kofi Akosah-Sarpong wrote an excellent review of "Africa and the West" by Godfrey Mwakikagile, an academic author from Tanzania who has written many books about Africa, seven to date.

It is a major African work in the African Renaissance tradition and dignifies Africa, especially in the author's philosophical discussion of the African personality and Africa as an organic entity, in a way many African writers don't. And as always, as in his other reviews, Akosah-Sarpong captures the essence of the author's work few reviewers are able to.

There is, however, one semantic detail that needs to be clarified. The reviewer says: "Meanwhile, though the book deserves to be taken seriously, Mwakikagile states in the introductory chapter as if he wrote the book with another person by stating 'we' repeatedly."

As a well-read person himself, I'm sure Mr. Akosah-Sarpong knows it's common for writers, especially for academic authors, to use the first-person plural 'we,' instead if 'I,' in their writings; for example, by saying, "in the first chapter we discussed...," "We are going to address in the next chapter..." May be it comes from the imperial "We," when British kings said "we" instead of "I," and probably still do. It's acceptable in King's English.

One renowned African academic author is Professor Ali Mazrui in his book "Towards A Pax Africana" and others. As he states in the introduction to "Towards A Pax Africana": "In general terms we are concerned in this book with...We do not propose to limit ourselves to..." In chapter one, he states: "In this book we define diplomatic thought to be..." In chapter two: "In the last chapter we discussed utilization..." In chapter four: "We hope to discuss..." In chapter five: "We pointed out in the second chapter that..."

It does not mean Mazrui wrote the book with another person.

Otherwise Akosah-Sarpong's review of Mwakikagile's "Africa and the West," is not only excellent, but one of the best I have read of a major African book by one of Africa's prolific authors.

To be a modern African is perplexing experience. Not only is Africa the only region with the most dominant of foreign values, but the African, more especially the elites, are confused, transmitting such confusion unto the entire African personality, and making the African not only misunderstand himself/herself but difficult to explain himself/herself to the world about his/her personality.

Godfrey Mwakikagile, a Tanzanian journalist who worked with Tanzania's leading mass circulation "Daily News," echoing a familiar rallying cry, argues passionately for Africans to return to their native roots for balance and order. "Africa and the West" is also a reflective treatise, especially in its philosophical discussion of the importance of African values, history and tradition, African philosophical concepts, and way of life in pre-colonial times as compared to the advent of colonialism. "Africa and the West" is also an uncompromising demand for dignity and respect for Africans which they have been denied by today's leaders, which was not the case in pre-colonial times and continuing, as the author says, though contentiously, under traditional rulers in most societies across the continent today.

The author says the traditional leaders ruled by consultation and direct mass participation at village meetings. How to transform such pre-colonial consultation and direct mass participation across Africa's 2,000 ethnic groups in order to usher in democracy that fits the African environment is missing.

Mwakikagile recognizes Africa's natural beauty and abject poverty, diseases and disturbing ignorance, but his thesis aims at Africa's weak unity - "That is one of the main reasons why they [Africans] were conquered by foreigners, and why Africa is still weak and poor today." Before Mwakikagile attempts to answer why Africa's weak unity is the root cause of all its crises, he reveals the contradictory nature of Africa: Africa endowed with numerous world-class natural resources but at the same time Africa as "the only continent where it has been so easy for foreigners to take what does not belong to them." Why this? Weak co-operative spirit among Africans, more markedly their elites.

For Mwakikagile, Africa's weaknesses can be located in its personality. So to understand Africa, there is the need to psychoanalyze the African personality in relation to the world, "especially to the West." Why especially to the West? Because the West, more than any other people, conquered Africa, colonized it, brutalized it, demeaned its culture and indigenous institutions, and a large number of Africans, especially those who have been to Western schools, "were brainwashed into believing that they had no history they could be proud of; that all their customs and traditions were bad, and that even their languages were bad. Nothing good."

More than physical brutality to Africans such as Belgium's King Leopold ordering the amputation of Congolese for not meeting working (quotas) as expected in rubber farms or Germans brutalizing and killing Namibia's Herero ethnic group, the author demonstrates that the West's capture of Africa has been more at the metaphysical plain through propagation of ideas that skillfully but quietly demeaned African values. While he acknowledges that not all foreign ideas are destructive to Africa, he also states that not all foreign values are good either. It is here that Mwakikagile takes a swipe at Africentrism, a courageous venture aimed against the excesses of Afrocentric scholars. For Afrocentrists, there is nothing wrong with African values, and in their zeal to recall Africa's glorious past, have distorted Africa's values in order to "inflate our achievements."

His prejudices are firmly on the side of African Renaissance thinkers who recognize both the negative and the positive values of African culture and how to discuss them for the health of Africa's progress. This reveals the balances of Mwakikagile who is honest enough to criticize his own kind regardless of the wrath which he may spark, and which the African intelligentsia need for the health of the climate of the African Renaissance process.

Mwakikagile's piece adds to the struggles being waged by the new generation of African thinkers, journalists, and media outlets such as "Expo Times" (Sierra Leone), "West Africa" and "New African" magazines to open up the African culture, its negative aspects as well as its positive aspects, for eventual policy formulation. The reason being that colonialism did not help the growth of African values in relation to Africa's progress, and African elites, ever weaker, have not been able to mix their colonial legacies with African values unlike other ex-colonies in the development game. Meanwhile, though the book deserves to be taken seriously, Mwakikagile states in the introductory chapter as if he wrote the book with another person by stating "we" repeatedly.