I am an elementary art teacher, and I read this book to my first graders when we were talking about African art. They absolutely loved the story! By the end of the book, they were reciting the repeating phrases with me. Then they wanted me to read the whole story all over again. I seldom get such an ethusiastic response from my students when I read to them. The artwork in the book is very reminiscent of African art and goes along very well with an art project we make when talking about Africa. This book is a wonderful addition to a unit on Africa.

The artwork is rich, detailed, amusing, and simultaneously illustrates different lines of the story--that is, in the background, are shown the line about the characters running up hill and down, while in the foreground the next phase and character of the story is depicted. Also each of the talking items floats in the background space, so you have lots of things to point out and talk about with the little ones--or just go for the story, it's fun. The colors and the dress of the people match what we see in W. Africa. My child enjoyed an animated reading from the age of 18 months. The story is a traditional one as well, which lends to the overall richness. I have a number of children's books depicting W. Africa, and this and Trina Schart Hyman's Fortune Teller are my favorites for their beauty, detail, and their faithfulness to the scene here. To the Sweet Shores of Africa, is another beauty as well---this one is poems with beautiful pictures.

The criticisms I can aim at this book are few: there's some needless reiteration of points made early on and some loss of context in the wash of events described. Both are stylistic and really just matters of taste.

Knowing only what an outsider can glean about MSF, this seems a wholly objective, balanced assessment of the group(s), its membership(s) and the circumstances, compromises, and pervasive questions attendant to both. The very real limitations and dangers of international aid are presented frankly, as is the selfless dedication of the MSF staff. Individuals are not squeezed into comfortable categories; the complexities, even the occasional flashes of swagger or ugliness, of each participant are served up with relative detachment.

As an introduction to the politics and human costs of genocide (admittedly from a singular, but coherent political perspective), it's hard to beat.

The photographs, which portray a parallel narrative, are likewise honest, and both stories are rendered with sufficient feeling expose what is truly uplifting about MSF.

Of all the texts I have read concerning Africa and its political/economic problems, this is the best contribution to understanding the motivations of those involved in providing humanitarian assistance. It represents ultimately a message of hope which counters the many pessimistic texts covering this area. The hope is neither misplaced or naive, but is a product of a level of understanding on the part of the authors rarely grasped I think by similar authors. Highly recommended.

I knew nothing beyond the basics of apartheid in South Africa until I read Harry Bloom's incredibly powerful book. Even now, I cannot claim that this book has made me an expert, far from it, in fact. But, I have a much greater appreciation of what like was like in the Transvaal (or black locations) in South Africa. Even though the title is a work of fiction, I believe that the reader will get a much greater understanding on this topic. (And like other reviewers, I admit I picked this up because it is written by Orlando Bloom's father.I will use any excuse to pick up a new and different book! )

Bloom's story is set in the fictional town of Nelstroom, S. Africa. We are introduced to two main characters, Du Toit, the location manager and Mabaso; a black man who has come from Johannesburg with the hopes of easing the hardships of life in the location. Du Toit begins his job with the best of intentions, trying to make life better while still enforcing the laws of apartheid. He will eventually, of course, give in to the higher ups. Mabaso is an educated man. He makes the people of the location aware of how they suffer. And we all know education is a powerful thing. The people who stand behind these two men will clash and begin to rebel against each other. This is a book you know will not have a happy ending from the first page.

Since I can't find the words from my own experiences to describe the total unfairness and confusion of apartheid, I would like to take a quote from the book, which stuck with me from the point I read it until I finished and long after that. "Facts are twisted, illusions fostered, truth destroyed to prove that the perverted is normal, the sordid noble, the brutal beautiful, the guilty innocent, the coward a hero, disaster a victory-and the reverse of all these things."(Pgs 277-278). Harry Bloom was imprisoned for writing this book, that alone is testament to its truth. Despite its heavy subject, it is a great, fast paced read. And a book that will stick with you for a lifetime.

I must admit that I originally picked up this book for the curiosity factor of it having been written by actor Orlando Bloom's father. However, from the very first page the gripping tale of oppression, hopelessness, and desperation in South Africa sucked me in like few novels I can remember. The writing style was lush in its descriptive power, and the author's intimate knowledge of both the people and the problems of the region shines through page after page. Although one knows from the very first page that this tale will *not* have a happy ending, even in its horror the conclusion makes perfect sense and holds one until the very last paragraph. The one minor gripe I had with the novel was the shifting perspective and timeline; however, both were required to gain a full sense of the events and the insanity behind them. This is a serious work for the serious reader and definitely worth more than a single reading. I highly recommend this work.

I wasn't certain what to expect when I got this book. I was a bit concerned that since it was written about experiences in the 1960's that it would feel a bit dated. Although the 1960's view of the future of East Africa's peoples and wildlife is not entirely accurate, I am finding the book to be an excellent way to prepare for a trip to Tanzania--for someone wanting a combination of background on the peoples, landscape and wildlife. Matthiessen's usual subdued, to me, dry style seems leavened a bit by his awe. And the account of the elephant researcher who's 'close encounter' approach puts Matthiessen off his feed, was really enjoyable to me--a departure from his usual, very dry approach. I recommend this one to anyone interested in the peoples and wildlife of Eastern Africa.

Is there anyplace wild enough to lift the weight that Occidental culture has placed on our shoulders? Africa, where the first man walked erect, may be the last place where man can feel awed enough by Nature to try and remember that he, also, is just another among the millions of other species that populate the planet. Paul Bowles, Bruce Chatwin, Doris Lessing, Isaak Dinesen and Peter Mattieshen found that answer, and shared the experience. In Mattieshen's poetic account, the tragic and fabulous beauty of a continent that has been devastated by greed and war is revealed, as the impossibility of traveling Africa and not falling in love with it and being changed by it forever.

Bill McCauley has taken the time to craft an adventure with details that goose the senses. His approach to humidity, lust, conscience and morale had me pausing every few pages to wonder what I would do in such situations. By taking the moral high ground as an expatriate willing to donate everything to a greater cause, his narrator leaves the door open to personal gratification with no consequence. Or so he thinks. This is a great tale and a great insight to one of the most controversial African nations of our time. McCauley knows Sierra Leone, and, moreover, his love for the place and the time he spent there is apparent. The Turning Over is a terrific book.

"The Turning Over" is one of the best books I have read about Sierra Leone.

The book follows the journey of an American expatriate during a time of change in that country. In the 1980's, most expratriates were turning over their jobs to local indigineous people in most places in Africa. The programs were then run by corrupt governments that cared little about the well-being of indigineous people. McCauley's book shows in great detail the dilemma westerners faced while "turning over" successful programs to corrupt local governments.

The love story between Bob, the main character and Mary, keeps the reader on his/her toes. It is hard to predict what will happen next... and I believe, Mr. McCauley does a great job at keeping both the topics of love and Africa alive throughout his book.

The books deals also with complex issues such as: the difference between men and women, sex, drugs, corruption, dependency, violence and politics.

Have fun with it!

Having lived in Uganda and also know Paul and was there when he compiled the book, I can say that it is a very reasonable account of the diverse lives of the people of Uganda. He has managed to include most parts of Uganda - the problem being that you will wish to visit them all!

This book gives a complete, beautiful look at "the pearl of Africa." If you are thinking of visiting Uganda and want to know what to expect or if you have been to the country and want to savor the experience, this book is a must! Paul Joynson-Hicks photographs a little of everything and the photography is beautiful. There is also a great overview of Uganda's history. I can't say enough....get this book and it will take you to Uganda again and again!!

When this book was first published, here in South Africa its promotion was good. I decided this was my type of book, so I went shopping. None of the bookshops that I usually use had it and so I placed an order at a couple of the stores (explaining I also had another order somewhere else.

It really was worth waiting for, the photography is outstanding. There is also enough information for people who do not live in Africa - just to wet their taste buds

South Africa has had plenty of problems in the past but when I see a book like this, I am very honoured as I know these tribes, they are colourful and very proud.

This richly illustrated book is a fascinating look at the various traditional black cultures in South Africa. The photographer spent time with different tribal peoples, experiencing their day-to-day lives. His magnificent photographs allow us a glimpse into these vanishing worlds as they adapt to modern, urban influences. For travellers interested in meeting people and armchair anthropologists, this is an indispensable read.

The premise is unique--an incorrigable cat who gets tired of junkyard life, who decides he is going to sail the seven seas and find out why the Swiss puts holes in their cheese! He decides that Egypt is his first adventure. He wanted to see his mentor--the "cat out of stone"--the guard of the great pyramids! Remarkable story told in prose and the illustrations of the cast of characters bring the story alive in concert with the words. Through the grapevine, I heard Vinnie escapes to France for another hilarious adventure.

THIS IS ONE OF THE FEW BOOKS MY GRANDSON WAS CONTENT WITH AND HELD HIS INTEREST. NOW I WILL PURCHASE ANOTHER FOR ANOTHER GRANDSON.

Giustozzi knows more than any one about what was going on inside pro-soviet Afghanistan. I think he is also a good pupil of Prof. Halliday. Perhaps no other scholar knows more about the Afghan government and society in 1978-92.

War, politics and Society in afghanistan is the best book written on this very intricate topic. Every serious student of contemporary history have to face with this reality. Afghanistan was and still is the fulcrum of the world's equilibrium. Knowing Afghanistan means a lot!

Drawing upon fieldwork in a number of troubled regions, Reno has produced a compelling and insightful examination of political realities within Africa's war-torn states. A valuable alternative to the more common hand-wringing and finger-pointing of most African political appraisals.

In the midst of my research on timber Liberia, I was told that the only person who really knew what was going on in West Africa was William Reno, assistant professor at the University of Florida. When I called him to ask for information, he told me about the book that he published just this year. I tracked it down in the library, and was very relieved (after much fruitless searching) to find a readable and informative explanation of the politics of so called "weak states", along with four case studies on West African Nations. Reno's book provided by far the most comprehensive and readable explanation of the modus operendi of this region.

The first two chapters, entitled "The Distinctive Political Logic of Weak States" and "Africa's Weakest States After the Cold War", outline useful background information on the unique political systems in place in sub-saharan Africa. Reno does an excellent job of balancing his political theory with hist! orical examples. The next four chapters, which subsequantly cover Liberia, Sierra Leone, Nigeria and DRC (formerly Zaire), provide detailed analyses of the economic and political situations in these countries. Reno places the factions, the foreign business partners and the conflicting European vs. African interests in a solid context. On Liberia he writes, "The way we think about Liberia is strongly influenced by images of chaos and random violence.... In fact, war in Liberia has followed a clear logic. Warlord pursuit of commerce has been the critical variable in conflicts there. Stongmen have used commerce to consolidate their political power within a coalition of interest among themselves, businesspeople, and local fighters"(p.79).

Reno has combined information gleaned from his travels, dozens of interviews, and unique primary documents to provide a cohesive picture of the West African political system, a challenge of sorts to the conventional World Bank wisdom! that would have all "weak states" conform to its! idea of economic viability. He places in context the confusing behavior of rulers of weak states, with their tendency to avoid bureaucratic efficiency and free market enterprise, to the chagrin of first world observers. Reno writes, "Rulers who face threatening internal behavior intentionally cripple the arms of the state, which weakens the agencies that outsiders prescribe as the best means to mobilize resources to alleviate pressure form the international economy, such as debts, balance-of-payments imbalances, and instruments to enhance state revenues"(p.19). The behavior is necessary, he writes, in order to keep local strongmen in check. The conclusion that he draws from this may cause one to ponder; "The joining of political struggle and accumulation-- even as a violent Kalashnikov lifestyle of protection rackets, forced labor, and fencing of stolen goods-- is as much a candidate for a Weberian capitalist style of life as is a Protestant ethic or a Japane! se way of doing business"(p.30).

Rather than criticising from afar, Reno writes from the vantage of a frist hand observer. His ideas are provocative and well stated, valid for both the ignorant student (myself) and the seasoned researcher.