Anyone familiar with Pete Turner's work over the past years, knows that he is a master magician of color. His new book, Pete Turner African Journey, a collection of color photographs taken over his many years of return travel throughout Africa is magnificent to behold for both its color and content. Pete has a creative passion for color. His connection to color reminds me of a statement by the artist Paul Klee, "Colour possesses me...color and I are one." So it is with Pete who creates his colorful art using a camera and a searching eye. The way he photographs the people, places and culture of Africa is best said in one of the quotes I have by Gordon Parks. " Recording images of serenity and beauty was a matter of devout observance." I can think of no better way to describe the beauty, sensitivity and reverence of Pete Turner's photographs. His photographs are artfully displayed in a beautifully designed book by the prominent designer and friend, Massimo Vignelli. An introduction by another prominent friend, Gordon Parks, pays tribute to Turner for "...an unforgettable gift that urges me to breathe my own roots." African Journey, is a hero's journey, and an invitation to witness the rich and radiant colors and culture of Africa, the second largest continent on our mother earth.

Showcasing 148 full-color photographs, and with an informative introduction by photography, fillmmaker, composer and author Gordon Parks, Pete Turner African Journey captures the exotic glamor of a seven-month journey from Capetown, South Africa to Cairo, Egypt while Pete Turner was on assignment for National Geographic. This is a stunningly visual journal of people, landscapes, wildlife, and visual beauty where the images captured by Turner's camera could easily stand as individual works of high art and hang on any gallery wall. Pete Turner African Journey is a superbly produced and highly recommended addition to any personal, academic, professional, or community library photography collection.

This book is a wonderful trip that takes us though the landscapes of Africa, visiting the people and the incredible wildlife, seen through the lens of one of the world's greatest photographers. Turner is a master of color and light, and he fell in love early in his career with the richness of the African continent. To spend time with this book is to be his travelling-companion, visiting ancient temples, witnessing animals in their world, crossing the Sahara and spending time in villages, getting to know the proud people who live there. One beautiful image is of a dog sleeping in an Ndelele village, its white paw matching the painted architecture. In images like this, Turner shows us again and again scenes that only his eye and lens could capture.

this is THE classic on african music. you will find it listed in the bibliographies of almost any serious study that came later. it is in-depth and comprehensive. if you want to get just one: this is it.

This book's sweetness, modesty, humor and graceful scholarship honors one of the world's greatest achievements. It's about drumming, and life.

This is a remarkable work that fits African music into its cultural context and is consistently provocative and enlightening. It's a world music classic, along with such studies as "The Latin Tinge," "The Brazilian Sound" and "Catch a Fire."

Mirella Ricciardi is a sensitive and gifted photographer. Her work captures the essence of the (mostly east) African people she photographed. However, surprisingly, the delight of this work is not in the photographs. On first reading, I found myself skipping over the photographs to read her words - something I, a slave to the visual, simply never do.

Ricciardi recounts her life growing up in the late colonial period in Kenya. Her parent's life in post-war British East Africa is told, in brief, through the eyes of their daughter. It is in her narratives, and her captioning of her family photographs that the magic of this book emerges. Ricciardi writes with a poetic spirit, of her life and travels throughout Africa. It is an unabashedly Euro-centric view, one of sepia photos and a rose-tinted view of Colonial life. Nonetheless, it is a personal journey, and one she shares with us. Reading this book, one gets the feeling of sitting Ricciardi's sitting room, perusing her family photo albums.

Her photography shows great sensitivity, and candor, and would likely stand well on its own. Frankly, I found it to be a bit overshadowed by Ricciardi's own story. Yet, still, she has left the world a legacy - of her life, of the dying breath of British Colonialism, perhaps of the reluctant discovery that she was ever so much more European than African. It is not so much a photographic essay, as a piece of history.

This was bought as a gift, my dear friend who is also my mom had this on her wish list and I bought it for her birthday.
I didn't really know what to expect of the book, since it was not I who wished for it.
When it came, I was completely delighted with it. Not only is it a beautiful, big, coffee-table size volume, but the photographs inside are wonderful! Something else--the text of the book is written in a font that appears to have been written by hand, straight out of the explorers journal. A nice touch when accompanied by these wonderful photos.
A beautiful book, indeed and the price is very fair, in my opinion.

It makes a great gift, too! :-)

This book contains images of modest nudity, including nursing mothers and children, that would probably earn this book an "R" rating if it were a motion picture.

Having known of Ms. Mirella Ricciardi's work as a photographer in Africa, I expected this book to be the typical photography book. What I found instead was far more interesting and rewarding. The book combines brief essays about her life in Africa with captioned photographs of her family and friends, and of the scenes she visited, studied, and photographed. Extending from a privileged childhood in what was then colonial British East Africa to recently in Kenya and neighboring nations, you see the collapse of a fantasy-like way of life, the rise of a troubled new one, vanishing wilderness, and the reflections of an intensely self-critical woman. If you are like me, you will be moved by what you see and read.

First, you will be impressed by Ms. Ricciardi's frankness. "I was a bad mother, a discontented wife and a frustrated photographer." She blames herself for the death of her older daughter, Marina, at thirty-six. "To this day, I am convinced this tragic event was my punishment." Personally, I think she is too hard on herself. Her story shows a warm heart and an eye for beauty that have enriched all those who have seen her work. I hope she finds self-forgiveness in the future.

Her mother was quite remarkable, as well. Coming from an influential and wealthy French family, she studied sculpture with Auguste Rodin and lived life as an artist in Paris before meeting the author's father, who was an exile from Italy. Relying on her mother's wealth, the couple soon set up a dream-like existence on a vast estate in Africa based in a "vast pink Italian villa" they built there near Lake Naivasha.

Ms. Ricciardi grew up with great wealth, hunting and enjoying the wilderness, and appreciating the native Africans. Later, she learned how to be a photographer while working with her future husband, and produced her well-known photographic work, Vanishing Africa. You will find many examples of that book as well as the details of how it was shot. Married to this adventuresome man, you get a sense of their time together as well as their discontent. As part of this, Ms. Ricciardi recounts her years with a young black lover, and how they handled the social challenges this presented in the class conscious society. Her two daughters were raised in an unself-conscious way with African children, often cavorting together nude as many young children do. You will enjoy seeing these scenes of carefree youth. Ms. Ricciardi's love of nature is matched by her love of the African people, and you will especially enjoy her images of the Maasai.

Moving forward in time, you see photographs of white Kenyans who fought the Mau-Mau, farmed and studied wildlife, the destruction that war brought to Africans, and the retreating wilderness. I especially enjoyed her profiles of people who have found a continued life in Africa whose family roots go back to colonial days. Ms. Caroline Roumegeure was especially interesting to me, with her background as the daughter of a Maasai warrior and a French woman in a family with 6 wives and 26 other children. She seemed to blend the best of both cultures together. Ms. Ricciardi eventually became estranged from Africa and has left it.

The photography captures breath-taking beauty that will stun you with its mystical appeal. You will feel like you are looking at something that is beyond your own understanding, but which will beckon you forward. Ms. Ricciardi's openness to the people, land, and animals will become your own, and you will be the better for it.

After you finish contemplating this deep and self-critical view of another way of life, I suggest that you think about where you are divided from other people and nature in your community. How can you reach out to bridge the gaps in a loving way?

Share your love with all around!

I bough the hardcover version of this book when leaving South Africa, and I never regretted it.

The author describes real-life events with plenty of hard facts, documentation, and insight. It's obvious that the author has done research about the stuff she's writing about. It's also very pleasant to see first hand information, and accounts of her interviews with most prominent figures in the SA politics of the last half-century.

And the chapers are delimited with short epic stories (e.g. a 1-page description of a peasant family in Transvaal) which are Absolutely Lovely.

This book immerses you in the realm of SA politics, culture, and conflict, and contains a lot of good reasoning, and analysis. In fact, some of the conclusions of this book regarding apartheid can be applied to conflicts outside Africa.

Furthermore, this is no extended and monotonous cry for black rights in the white South Africa. The author examines the situation from every point of view, including the short economical success of the apartheid, the deteriorating SA economy in the last decade, and the challenges that free society faces.

But make no mistake, the author doesn't have even the slightest taint of white supremacy, or anything like it. She's well grounded in her beliefs, including free speech, equal human rights, and universal suffrage.

This book, its illustrations, and the pictures drawn in your mind by the text are fantastic...

Anatomy of a Miracle is one of those history books you never forget. It does such a good job putting you there. You feel like you are at the meeting between Mandela and DeKlerk. This is history at its best. Anyone interested in Current Events or the History of South Africa and its transformation from Apartheid and White Rule to One Man One Vote and Democracy needs to read this book. I had no idea that Mandela and the South African government had been in negotiation long before Mandela's release. I also had no idea how well Mandela used his ability to speak Afrikaaner and his knowledge of Afrikaaner History to while negotiating to end Apartheid. You see the challenges DeKlerk, Mandela, and all of South Africa had to overcome. And they did. This is a short book, but after reading this you will become an expert on the events that led to the end of Apartheid and the beginning of Democracy in South Africa. This is a great book.

Reads like a cloak and dagger thriller at times. This is a riveting account of the end of apartheid and the birth of democracy in a society that should be, by all rights, engaged in civil war at this time. Instead, Ms. Waldmeir gives us the reasons, historically and diplomatically, as to why this amazing transition took place in relative peace. She tries to give a fair representation of the roles of all the major players in this incredibly complex real life drama. I found the writing to be very insightful as an academic work while at the same time it was told as the dramatic, tension filled drama that the story truly is.

HI THERE...I LIKE TO SAY THAT THIS IS THE FIRST TIME I READ THIS BOOK, IT AMAZED ME BY THE DETAILS IT PROVIDES AND HOW EASY IT IS TO COMPREHEND THE CONTENT OF THE BOOK...IT MADE GET MORE INTERESTED IN THE MIDDLE EAST ..I RECOMMEND THIS BOOK TO ANYBODY WHO WANTS TO KNOW THE FACTS AS THEY ARE .

This book is a must read,to anybodyinterested in the Sadat era.It comes from a famous journalist,who is close to power in many countries,and with sources of information that are full of intrigue.A very realistic book,loaded with facts,and analysis...it gives youthe answer to what happened on theday of october 6th 1981,why did ittake place,and why the end had to belike this.i highly recommend this book,thankyou Mr. haykal

This book is one of the best if you are interested about egypt's recent history...it comes from a great writer..and at the same timesomeone who's been close to all parties involved in the story. Full of secret details, relatesfacts together..and makes alot ofsensable interptation of well knownbut poorly understood incidents. This book is a must have.i personally read it more than 11 timesi highly recommend it.

This is a fabulous book, and one can't help but compare it to Alexandra Fuller's "Don't Let's Go to The Dogs Tonight".

The difference is that although Fuller's parents were hard-drinking and unconventional, they loved their children enormously. Carolyn Slaughter had such toxic parents that it is amazing she has become an accomplished, funtioning person. Horribly abused by her father, physically as well as the sexual abuse, she was totally abandoned emotionally by her mother. I almost hated her mother more than the father, as she seemed to have no maternal feelings whatsoever.

My only complaint is that she ended the book when she left Africa as a teenager. She tells us in the epilogue that her parents and one of her sisters have all died, but doesen't say anything about their years back in England and whether she continued to have any relationship with her parents and what finally resulted in her having any self-esteem at all. I hope she is busy writing a follow-up. I highly recommend this book as well as Fuller's book.

If you've read that this is a book about a child raped by her father, you may well want to give it a miss. But you shouldn't, because although the horror of this event (which Slaughter, unlike most, finds corroboration for)frames her narrative it is also a remarkable story of an African childhood.
Her father, having bullied his way through the dying days of British colonial rule in India, found he couldn't settle in England, so set off with wife and two daughters for Africa. This is far from being the 'White Mischief' kind of existence, especially as the family wound up in the Kalahari desert. The bleakness and hash beauty of the landscape are what saves Carolyn - alongside discovering one true friend at school.
Slaughter is an excellent novelist who mysteriously fell silent many years ago. This is the reason why, and every pages rings with a sort of piercing truthfulness and pain. It's a story of great courage which must have taken greater courage to write.

When Freud's female patients complained of forced sex with their fathers at the ages of three, four, five, etc., at first he was incredulous. How could this be? These were not people from the gutter. He treated refined Vienesse burgers, not slum vermin. He knew some were pure fantasy. That many good girls wanted to marry daddy, and as neurotic adults have sex with daddy. But they couldn't ALL be fantasies. However, even trailblazers like Freud have their limits, and he relegated his"Seduction Theory" to fantasy, and dropped it like a hot potato. With him being Jewish in pre Holocaust Vienna, and his enemies castigating him as the Jew doctor who thinks everything has a sexual meaning, can you blame him? In her disturbing book, "Before the Knife", Carolyn Slaughter states on page four,"....the night that my father first raped me. I was six years old." That's the last we hear of this horror untill the final pages of the book. Many of us, as troubled children are convinced we are crazy, born to suffer, and are "total losers", but can't pinpoint a trauma to explain the feeling. Recent reasons such as "chemical imbalance" have helped to explain some mental illness. It seems that Carolyn Slaughter had proof of what turned her into a crazy person, and the one person who could have given her comfort and a safe haven was another crazy person, her mother, who refused to believe such "nonsense". In between the first statement of her rape, and it's final statemet at the end of the book is of a child growing up in that land of incredible human suffering, and incredible beauties of nature, Africa. It's another one of the Creator's jokes. The scenery is lovely, but you'll probably die of famine, plague, tribal war, or the master's whip. Dying of old age is granted to very few. This is not a beach book, and it's pages must have been stained with a lot of tears during it's creation.

Tahir Shah devises a get rich quick scheme which brings him to India to seek his fortune. He also has other interests namely the mysterious Gond people who may have walked the earth when the earth was one joined land mass. However this book is so much more than that. India \ Africa \ South America are all experienced and observed from a most interesting angle. The author roughs it al the way. There are many side-splitting moments in this book. There is youth and vivacity in the words that flow. Tahir Shah is clearly in love with life. Incidentally while this book is truly excellent, his latest effort "The Sorcerer's Apprentice" is I believe a masterpiece. You will not be disappointed in either book.

TAHIR SHAH is without doubt the most original travel writer of his generation... never before have I been so touched by, and become so involved in, a book. I am struck dumb by Shah's genius.

Read this book.

A fast gallop through the Indian sub-continent, Africa and South America, with a cast of eccentric characters perhaps unprecidented in modern travel writing. It put me in mind of Peter Flemming for the sheer pace and sense of adventure. Yet it was a hundred times funnier. Gives Redmond O'Hanlon a run for his money as the Number 1 funny travel writer at work today. Also, I notice it is easy to find in the UK, available in an Orion paperback, not out of print at all!

Dr. Donoso has written a wonderful account of his medical experiences in refuge camps in Malawi. His writing style is engaging for both the medical professional and the layman. He has enough detail (and footnotes if you really want them) so that you can look critically at his efforts. In addition, at times, his writing is fluid and even poetic. I gave the book only 4 stars because at times the translation was a little rough. I'll bet that this book is really beautiful in the original version. Anyway, if you are interested in the details of delivery of healthcare under trying circumstances, get this book and read it.

An Eloquent Book by a Doctor in the 1999 Nobel Peace Prize Winning Organization, Les Medicines Sans Frontieres

Across the Footsteps of Africa by Dr. Benjamin Puertas-Donoso

Les Medicines Sans Frontieres have won the prestigious and much deserved Nobel Peace Prize for 1999. I would like to congratulate them and praise their dedicated doctors. I was especially touched by this eloquent and beautiful memoir of an Ecuadorian doctor who worked with the American Refugee Committee in Malawi and with Les Medicines Sans Frontieres in Mozambique near the end of their long, brutal civil war in 1993 and 1994.

Dr. Puertas is a gifted writer. The refugee camps where Dr. Puerts worked were not pretty places. But Dr. Puertas took the inconveniences, risks and deprevations of the work in stride. His warm personality bursting with optimism, energy and humility, not only charmed his refugees and coworkers, but captivates his readers as well. However, of course, his success in taking on the gargantuan task of saving lives in wretched conditions was not due to charm alone. In fact he has a genius for organization and administration.

Dr. Puertas does not focus the book on his own accomplishments or dwell on the dirt on the floor in the hospitals. His book is very intelligent and shares with the reader a little of the history of the countries he worked in, their governments and politics and he gives the reader a respectful and balanced idea of what the people, the food and the native cultures are really like. He was very impressed with the good natured people and their incredible strength to endure each day. He traveled quite a bit in the region, met a lot of interesting people, and is a good travel guide for the reader sitting comfortably in his armchair.

Years ago I too lived and worked in Africa. I served as a Peace Corps teacher in Ethiopia. I was teaching English to children who were starving, with many unnamable and unreatable diseases and living without adequate shelter. I can vouch that every word in Dr. Puertas' book resonated true to my experiences in Africa. Africans take their hard life pretty much in stride, but it is indeed very hard. It is organizations like Medicines Sans Frontieres that bring the doctors with skills and abilities to make things happen to improve their lives. Dr. Puertas is to be commended for giving his time and gifts to humanitarian efforts and also for writing such an inspiring and exceptional account of it. It is Dr. Puertas' great gift as a writer to make this story, necessarily suffused with so much human pain and suffering, a great triumph to the human spirit and a romantic adventure. Dr. Puertas is so likeable, his narrative creates suspense because the reader really cares about what happens to him. This book would make a great movie!

This book's first edition in spanish showed me the crude reality of the african health system. This delightful narrative experience of Dr. Puertas' incredible adventure in Africa is very well written. It's contents may prove useful to anybody in the medicine, public health, and medical anthropology fields, especially if related to third world countries.

great book

JLBE

What a worthwhile book! Laura Resnick shares her adventures on an overland adventure in Africa. What is great about this book is that it is refreshingly honest. Laura is very upfront about everything. She tells it like it is from how and where to the bathroom to what she realy thinks about hiking. If you like reading travel journals you're going to like this book!

Having just returned from Africa, I have to thank Laura Resnick for taking me back there again. Her book paints a perfect picture of an American's experiences in a country that couldn't be more different from ours. From albinos, bugs, strange illnesses, whizzing downhill, the joys of Listerine, showering in the rain, dehydration, communication challenges, etc. Laura shares her trip with us in a heartfelt, often hilarious novel.

Africa is one of the places I've always wanted to go. Resnick, who has gone, shares with the reader an eye-opening look at her experiences over eight months of overland trekking across the African continent. She pulls no punches with regard to her own reactions to the lands, the leaders, her fellow overlanders--and thus gives a brutally honest look at what rustic and challenging overlanding is all about. Wonderfully insightful comments on cultural expectations, and should be required reading for anyone contemplating an African journey. You won't think the same about yourself or Africa once you've finished this book.

This book is proliferated with Paul Bosman's art. The art includes Paul Bosman's paintings and drawings capturing the moments in the life of the cats. We see the lioness facing it's pray, a leopard resting, a family of cheetahs, a male lion walking through the bush and so on. The illustrations cover lions, leopards, cheetahs, as well as smaller wild cats. I recommend this book for any nature lover, wild cat enthusiast or a person interested in African wildlife.

A stunningly beautiful and fascinating book, Cats of Africa describes the continent's lions, leopards, cheetahs, and small wild cats. The text is accompanied by numerous gorgeous drawings and paintings. The book is both informative and gripping, with excellent desriptions of the behaviours and characteristics of the animals in the wild, as well as discussions of their futures. I strongly recommend it!

A stunningly beautiful and fascinating book, Cats of Africa describes the continent's lions, leopards, cheetahs, and small wild cats. The text is accompanied by numerous gorgeous drawings and paintings. The book is both informative and gripping, with excellent desriptions of the behaviours and characteristics of the animals in the wild, as well as discussions of their futures. I strongly recommend it!